This article is about two discrete (but no longer discreet) aspects of my life which may be connected.
When I’m using the computer at home for any length of time, I often also listen to music on headphones.
When I’m in committee hearings or meetings, I often find myself cupping my hand to my ear trying to understand what people are saying. (At the risk of forever more being stuck in the ‘old fogey’ camp, I always thought putting your hand to your ear was just a symbolic way of asking someone to speak up, until I instinctively tried it once a few years ago when I had trouble hearing someone – it works really well let me tell you)
(a) am currently working on my computer while listening to music on headphones, and
(b) spent half of last week in Committee hearings with my hand cupped to my ear trying to understand what people were saying;
I thought I might write a piece on hearing loss.
The issue (and the reality) of hearing loss has been niggling at me for some time. As with (I assume) most people, it creeps up gradually and one can usually get by in most circumstances. It is for this very reason that the extent and impact of hearing impairment is under-recognised.
“I hear fine, but everyone is mumbling” is a common response for someone experiencing noise-induced hearing loss. One of the first manifestations of loss is an inability to hear sounds with clarity. Because the person experiencing this may still have a normal perception of loudness, the change may not be recognized as hearing loss. An affected individual will typically have difficulty conversing in a crowded room, because of the presence of background noise.
In my various travels around the internet (often accompanied by music played through headphones), I have found a few websites and blogs by a number of well known musicians. The best I have found is by ex-Talking Heads vocalist David Byrne (although he doesn’t have a comment facility). By coincidence David Byrne happens to be in Australia at the moment – go here to read his views and experiences – or at least go to the end of this post to see some excerpts. (I love his comment about ‘milk flavoured milk’ and am strangely proud to read his view on our potato chips). A few other muso blogs I’ve found are by Melissa Auf der Maur, best known as the former bass player in Hole, and Aussie singer/guitarist Ben Lee.
One other I have looked at now and then is by guitarist for The Who, Pete Townshend. A couple of months ago I saw a piece he wrote about his own hearing loss, which also got picked up in some mainstream media.
Many people may wonder why such a simple thing as recording a demo should take so long. I’ve spoken about the problem of cracking the right kind of material for The Who – but there is something else going on.
I have hearing trouble.
I have backed away from saying anything to medical or music journalists about my hearing. I think I am lucky, my case is not typical. I stopped touring and rock recording early enough to prevent the damage advancing too fast.
Although I spent a fair bit of time playing in and seeing bands perform in my earlier years, I am not trying to gain some sort of cred or coolness by associating myself with Pete Townshend and hearing loss. As this article shows, it isn’t just headbangers and rock music aficionados who can be affected. Classical musicians and listeners are affected too.
A 1981 study at Sweden’s Concert Hall and Lyric Theatre in Gothenberg revealed that 59 out of 139 orchestra musicians (42%) had hearing losses greater than that expected for their ages.
My father had less than perfect hearing, which he used as a way of encouraging his offspring to enunciate more clearly and loudly (something I failed dismally at then and now), so I suspect such problems as I have are genetic as much as anything. I am also rarely inconvenienced by it to an infuriating degree. However, I am only just over 40 and have had enough tests to confirm a problem, so I suspect much greater infuriation may appear for me sometime down the track.
I am writing all this because I suspect that hearing problems will be (or maybe already are) a hidden but major problem in our society. I have received representations about this from some constituents, particularly about the lack of awareness and acknowledgement of the impacts and widespread nature of hearing problems in our community.
I also find myself regularly wondering about whether this under-acknowledged situation is likely to get much worse in the near future, given the prevalence of iPods and other similar highly portable devices being used more heavily than ever these days. As Pete Townshend says, “earphones do the most damage”
Earphones these days are much lighter and portable than when I was a lad. According to this article, the ‘ear bud’ headphones are “more likely to cause hearing loss than the muff-type earphones that were used on Walkman and portable CD players” that old fogeys like me used to use last century (and that I’m using now). “We’re seeing the kind of hearing loss in younger people that’s typically found in aging adults,” according to an audiologist at Northwestern University in Illinois.
Apart from having less than pristine hearing, another thing I notice as I get older is my growing aversion to so called ‘nanny state’ approaches to current or potential future social problems. However, I think we could at least do much better at making people aware of the potential hearing damage that can occur from the regular use of earpieces to listen to music, even when used at volumes much lower than your average heavy metal headbanger craves. It may also be worth looking at volume limiting devices, which are used in many car stereos these days (although more to preserve the life of the speakers than the hearing of the listener). Of course, as hearing declines there is also a risk of a vicious circle (or feedback loop) where bad hearing makes you turn it up louder, which causes further damage, etc.
Given that iPods are now so ubiquitous that jeans are being sold with “a built-in docking cradle for an iPod and retractable headphones”, I think this is something that should be looked at now, rather than just waiting for the inevitable demands in twenty years time for governments to provide a massive spending increase on hearing aids.
PS – TRIVIA CONTEST
• $100 will go to the charity/non-profit organisation nominated by the first person to guess what song I was listening to on my headphones when I decided I would write a piece about this issue. A few hints – the song is Australian and is not too obscure, having featured on the Top 40 charts at the time of release. The title of the tune is not totally inappropriate for this post (and many other posts on this blog). For the 1% of people that care about drummers, the drummer who played on the original version of the song was gone from the group not long after, (and probably doesn’t get a cent of royalties from the frequent playings of the song on radio and elsewhere that have occurred over the ensuing years).
PPS – Excerpt 1 from David Byrne blog –
Pie Floater — a meat pie “floating” in sea of mushy pea soup, with a squirt of tomato sauce on top. To be eaten when drunk.
Flavored milks. Saw a large strawberry milk at the venue lunch counter. Milk here comes in a variety of flavors, such as apple, banana, caramel, chocolate, cookies ‘n cream, lime, malt, mango, papaya, strawberry, tropical fruits and vanilla, with a few more exotic flavors available.
NZ features many more flavors — spearmint and…peanut butter flavored milk! Woolworth’s in Whangarei (NZ) decided they could get around some selling restrictions by also selling “Milk Flavoured Milk”. Milk flavored milk!
South Australia has the highest consumption of flavoured milk per person, where Farmers Union Iced Coffee outsells Coca-Cola.
I remember from a previous visit the shockingly unusual crisp (potato chip) flavors. Ham and mustard. Big red and meat pie. Feta and herb, Thai chili.
Excerpt 2 from David Byrne blog:
A cluster of Aborigines sits on the grass in a tiny city park. A few meters away the traffic roars through the main street of Adelaide and pedestrians pass by. The little clump of people are like living ghosts, a reminder of the deep history of this land that is now currently occupied by people of European descent. These people are, if not the land’s custodians, at least its children, birthed and formed by this land — they embody it, they do not manipulate it. (Maybe this is a romantic view.) The fact that they have chosen to congregate in a little patch of lawn, right in the middle of town, visible but ignored, is somehow portentous, meaningful. It’s a sign, a reminder, and a living billboard that says that all the buildings and hustle and bustle surrounding them and us who pass by is superficial.
That there is a deep and slow biological and geological history that this new colonial world seeks to cover over and obliterate from memory.
But it never will be obliterated completely.
PPPS For anyone who might care, I think David Byrne’s best musical release (that I am aware of) is not anything by Talking Heads, but the pioneering collaboration he did with Brian Eno called “My Life in the Bush of Ghosts”. By coincidence, this was released around the same year as the song that is the answer to the above trivia question.